MSC 1003 - Music in Civilization

FTR: Tuesdays and Thursdays 4:10-5:25 in Room 6-170
UR: Thursdays 6:05 - 9:00 in Room 6-170
Class 11UR: Thursday, April 11 at 6:05
(= "Class 21/22")
document iconClass Notes for Session 11 document icon

Assignment #14: Form Timeline Project

This is the one project that we are doing on paper! You need to know your individual assignment (email me if you do not) and complete instructions are available in all of these links.

Form Timeline Project: Beethoven
Form Timeline Project: Haydn1
Form Timeline Project: Haydn2
Form Timeline Project: Mozart1
Form Timeline Project: Mozart2
Form Timeline Project: Mozart3

This project is due before Class 12 (April 18) but I'll look at it before then if you like.

Assignment #15: Mussorgsky's Pictures at an Exhibition

Here is another little online lecture based on something I used to do in class. First, read our special page about Mussorgsky (or watch the video lecture at the top.) Then Assignment 15 asks you questions about it.

This one is due before our Romantic-period quiz (Thurs, April 18).

Assignment #16: Quiz Three Preview

Assignment #16 gives you the usual selection of real quiz questions in advance of the quiz on Thursday. Complete notes and study guide are already up on our documents page.

As one might expect this is due before the quiz on Thursday, April 18 (= Class 12).

Quiz Three News

Quiz Three will be on Thursday, April 18 for all sections. This is the day before spring break, so if you plan to travel early make sure you discuss it with me ASAP.

The study guide is up, and here are complete quiz playlists:

YouTube list for phones
Apple Music

Felix Mendelssohn, Overture to A Midsummer Night's Dream

Here's another video that is hosted on my website, not youtube.

Track Links: YouTube Spotify Apple Music
Album Links: MusicBrainz Google Play

Robert Schumann, "Im Wunderschönen Monat Mai" from Dichterliebe

This piece isn't really discussed in the book, just here on the web.

Listen for: The uneasy way the piano part undercuts the emotion of the words.

Im wunderschönen Monat Mai,
als alle Knospen sprangen,
da ist in meinem Herzen
die Liebe aufgegangen.

Im wunderschönen Monat Mai,
als alle Vögel sangen,
da hab' ich ihr gestanden
mein Sehnen und Verlangen.

In the wonderfully fair month of May,
as all the flower-buds burst,
then in my heart
love arose.

In the wonderfully fair month of May,
as all the birds were singing,
then I confessed to her
my yearning and longing.

Album Links: Naxos Google Play Spotify Amazon Mp3 iTunes
Track Links: Naxos Spotify

Robert Schumann, Carnaval

Carnaval is discussed in the seventh edition on p. 269 - in the eighth he switches over to something else.

Reconnaissance (= Recognition)

Track Links: Spotify Apple Music Amazon Mp3

Chopin, Nocturne in E-flat major, Op. 9 No. 2

This piece is discussed on pp. 279-281 in the eighth edition, 270-271 in the seventh. A "Nocturne" is supposed to be a night-time chillout piece.

Album Links: Spotify Naxos Amazon Mp3 iTunes Google Play
Track Links: Spotify Naxos

Liszt, Transcendental Étude No. 8, "Wild Jagd"

This is another one that is only in the seventh edition ( pp. 272-275). He picks a different piece in the eighth, though he still discusses Liszt and the the concept of the "virtuoso" (pp. 281-283).

a different recording by Evgeny Kissin:

Album Links: Spotify Naxos
Track Links: Spotify Naxos

Romantic Opera

In this session we may also look at some of the "greatest hits" from opera's most important era. This is all non-quiz material.

We usually start with the "Largo al factotum" from Rossini's Barber of Seville [1816]

...and then we watch two scenes from Verdi's La Traviata [1853]

For our last "mainstream" Romantic opera we hear is the famous Habanera from Bizet's Carmen.

Richard Wagner

Then we turn to German composer Richard Wagner, and look at how he pushes music to extremes in the latter half of the Romantic period.

We see the Ride of the Valkyries, an example of his loud and bombastic side.

We see the beginning of Das Rheingold, as an example of his penchant for music that moves in extreme slow motion.

and finally we listen to the Prelude from Tristan und Isolde, which shows how he could create very complex music with a sense of constant flux. Some might argue that this is the ultimate Romantic piece.

None of this opera stuff is on Quiz 3 or 4, but we need to cover it. :)

Larry David's Wagner Bit

This is apparently from the Season 2 Episode 3 of "Curb Your Enthusiasm," where Larry David plays with the taboo against Wagner in his usual subtle and sensitive way.